American Pravda: The Leo Frank Case and the Origins of the ADL

About a week ago both the New York Times and the Wall Street Journal devoted considerable space to the coverage of “Parade,” the revival of a 1998 Broadway musical on the 1915 killing of Leo Frank...

About a week ago both the New York Times and the Wall Street Journal devoted considerable space to the coverage of “Parade,” the revival of a 1998 Broadway musical on the 1915 killing of Leo Frank, a Jewish factory manager in Atlanta, Georgia, arguably the most famous lynching in American history.

Frank had been convicted and sentenced to death for the rape and murder of a young girl in his employ and the Anti-Defamation League (ADL) was founded in an effort to save his life. After numerous legal appeals failed, the state’s governor eventually commuted Frank’s sentence and a group of outraged citizens responded by hanging Frank. The incident was portrayed in both the musical and the associated media coverage as a particularly horrifying example of American anti-Semitism.

Micaela Diamond and Ben Platt in “Parade” at the Bernard B. Jacobs Theater.

However, the actual facts of that case were quite different than that and in 2018 I’d discussed them at considerable length as part of a longer article. Given the recently renewed spotlight on the issue and the fascinating implications of the true story, I’ve decided to extract and republish my analysis in hopes of bringing it to wider current attention.

Although I had long recognized the power and influence of the ADL, a leading Jewish-activist organization whose officials were so regularly quoted in my newspapers, until rather recently I had only the vaguest notions of its origins. I’m sure I’d heard the story mentioned at some point, but the account had never stuck in my mind.

Then perhaps a year or two ago, I happened to come across some discussion of the ADL’s 2013 centenary celebration, in which the leadership reaffirmed the principles of its 1913 founding. The initial impetus had been the vain national effort to save the life of Leo Frank, a young Southern Jew unjustly accused of murder and eventually lynched. In the past, Frank’s name and story would have been equally vague in my mind, only half-remembered from my introductory history textbooks as one of the most notable early KKK victims in the fiercely anti-Semitic Deep South of the early twentieth century. However, not long before seeing that piece on the ADL I’d read Albert Lindemann’s highly-regarded study The Jew Accused, and his short chapter on the notorious Frank case had completely exploded all my preconceptions.

First, Lindemann demonstrated that there was no evidence of any anti-Semitism behind Frank’s arrest and conviction, with Jews constituting a highly-valued element of the affluent Atlanta society of the day, and no references to Frank’s Jewish background, negative or otherwise, appearing in the media prior to the trial. Indeed, five of the Grand Jurors who voted to indict Frank for murder were themselves Jewish, and none of them ever voiced regret over their decision. In general, support for Frank seems to have been strongest among Jews from New York and other distant parts of the country and weakest among the Atlanta Jews with best knowledge of the local situation.

Furthermore, although Lindemann followed the secondary sources he relied upon in declaring that Frank was clearly innocent of the charges of rape and murder, the facts he recounted led me to the opposite conclusion, seeming to suggest strong evidence of Frank’s guilt. When I much more recently read Lindemann’s longer and more comprehensive historical study of anti-Semitism, Esau’s Tears, I noticed that his abbreviated treatment of the Frank case no longer made any such claim of innocence, perhaps indicating that the author himself might have also had second thoughts about the weight of the evidence.

Based on this material, I voiced that opinion in my recent article on historical anti-Semitism, but my conclusions were necessarily quite tentative since they relied upon Lindermann’s summary of the information provided in the secondary sources he had used, and I had the impression that virtually all those who had closely investigated the Frank case had concluded that Frank was innocent. But after my piece appeared, someone pointed me to a 2016 book from an unexpected source arguing for Frank’s guilt. Now that I have ordered and read that volume, my understanding of the Frank case and its historical significance has been entirely transformed.

Mainstream publishers may often reject books that too sharply conflict with reigning dogma and sales of such works are unlikely to justify the extensive research required to produce the manuscript. Furthermore, both authors and publishers may face widespread vilification from a hostile media for taking such positions. For these reasons, those who publish such controversial material will often be acting from deep ideological motives rather than merely seeking professional advancement or monetary gain. As an example, it took a zealous Trotskyite leftist such as Lenni Brenner to brave the risk of ferocious attacks and invest the time and effort to produce his remarkable study of the crucial Nazi-Zionist partnership of the 1930s. And for similar reasons, we should not be totally surprised that the leading book arguing for the guilt of Leo Frank appeared as a volume in the series on the pernicious aspects of Jewish-Black historical relations produced by Louis Farrakhan’s Nation of Islam (NOI), nor that the text lacked any identified author.

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